
Faraz Anwar – Guitar Workshop at School of Leadership
Dated: Sunday June 30th, 2006
Venue: School of Leadership

Faraz Anwar – Guitar Workshop at School of Leadership
Dated: Sunday June 30th, 2006
Venue: School of Leadership

Mizraab Live at Maritime Museum
Dated: Saturday 25th March, 2006
Time: 11:00 PM
Venue: Maritime Museum, Mehran Base (Karachi)

Mizraab’s Debut Concert in Lahore Rock Festival 2006
Dated: Friday 13th January, 2006
Time: 7:00 PM
Venue: Walton Airport (Hanger)
Continue reading ‘Mizraab – Live in Lahore (Rock Fest. 2006)’

Mizraab – First Gig in Islamabad
Dated: Saturday 25th May, 2005
Venue: City School (Islamabad)
Continue reading ‘Mizraab – Live at City School (Islamabad)’

Faraz Anwar – Throught The Passage of Time
Album: Abstract Point of View
Directed By: Babar Sheikh
Released in December 2001, Through the Passage of Time was the only video Faraz Anwar ever made from his Internationally acclaimed Music Album “Abstract Point of View”.
Continue reading ‘Faraz Anwar – Through The Passage of Time’

Mizraab – Live on Geo Applause
Dated: Wednesday 13th October, 2004
Time: 8:00 PM
Venue: National Sailing Club (Karachi)
Mizraab’s Geo Applause was recorded in 2004 but it was aired on Sunday 23rd April, 2006 on Geo Entertainment.

Instep takes a close look at the guitar prodigy Faraz Anwar and finds out what he has in store for rock fans in 2007!
Published: Sunday February 18th, 2007
By: Sonya Rehman

Mizraab: Mazi Haal Mutaqbil
By: Christopher Ruel
Published: Monday August 2nd, 2004
Out of the nebulous depths of the brilliant mind of Pakastani guitarist / composer, Faraz Anwar, comes a fresh, new, unique sound and conceptual vision on his 2004 collaboration with Irfan Ahmed, Jamal Mustafa, and Khalid Mustafa on the Sadaf Stereo release, Mazi Haal Mutaqbil. Anwar and company (a.k.a Mizraab) diverge from the instrumental format of his previous release, Abstract Point Of View, and instead embark in a new direction that aims to redefine the progressive vocal rock format. The album is arranged in a manner that starts slowly by establishing an atmosphere of despondant conflict, tension, turmoil, and desparation that builds with each successive track into the unrestrained, emotional tracks that explode with the climactic centerpiece tracks, “Mutazir” and “Kuch Hai”. First time listeners should be forewarned to be patient to allow the intricate plot to unfold, as Mizraab does not reveal the true depth of this album in the first several tracksm, but instead entices the listener to endure for the promised salvation of the climax.
Continue reading ‘Chris Ruel: Mizraab – Mazi Haal Mustaqbil (Album Review)’